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Paweł Kaczmarczyk

Pianist, composer.

Pawel Kaczmarczyk is for long time now known as one of the elite European pianist. He has been recording his music for number of prestigious record companies such as ACT Music, Fresh Sound Records or Hevhetia and as an author of album named „Complexity In Simplicity” (ACT Music 2009), he became third at the certain time (after Stanko and Wasilewski) polish jazz artist who had chance to record his compositions for such known and respected company. What more, he did it as leader of the band.

For the last two decades, Kaczmarczyk has recorded enormous albums in the number of six, all of them highly rated, that gave him precious musical awards like: the Mateusz statue awarded by Polish Radio Three, six wins in the Jazz Forum magazine’s Jazz Top contest, five “Jazz Oscars” at the ‘Grand Prix Jazz Melomani’ gala, a nomination to the ‘Fryderyk’ award (Poland’s most prestigious music prize), ‘Kulturalne Odloty Gazety Wyborczej’ award given by one of Poland’s top daily paper in the ‘Artist of The Year’ category.

Paweł Kaczmarczyk – piano
Alan Wykpisz – double bass
Grzegorz Pałka – drums

It would be difficult to characterise his work in terms of genre, as it goes beyond the boundaries of jazz. At the same time, jazz is the genre in which Kaczmarczyk can realise his ideas. His works are characterised by intuition, intimacy, invention and improvisation. If we multiply this by infinity, we will get the key to understanding the compositions and improvisations of this young Polish pianist, who never ceases to amaze with his imaginative and poetic musical excursions. We could analyse them and look for a conflict of new forms – disharmonies, but also harmonic treatments drawing in a highly sophisticated and creative manner from Brahms or Debussy. Or we can simply let ourselves get carried away by the ever-changing stream of music, which the musician creates with incredible lightness.

When we hear Chopin’s poetics of sound, then the powerful bell-like chords in Rachmaninoff’s compositions, a few bars later we are reminded of Paderewski’s works and Bartók’s harmonic treatments, and immediately afterwards of the colourful spaces of the piano impressionists, we probably find ourselves at a concert by the Paweł Kaczmarczyk Trio.

The trio’s concerts are very spontaneous, their work with motifs and free fragments of music brings new aesthetic experiences to the listeners. Whether in unison or in polyphony, through the full chords, dissonant, unexpected endings to pieces, the musicians allow the listeners to immerse themselves in the creative process.
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